Thread:FirstDrellSpectre/@comment-32302692-20180302025701/@comment-24200891-20180323045049

Then I feel worse about my Melancholinc, because I hated Luan's attitude in NLM. Unintentionally I made Lincoln like Luan. Now I keep asking myself how is he better than her in his story? However I'm glad I inspired your Brother in Shade, because I believe one of purposes of art is to inspire new artists.

Karla wasted so many opportunities like Save the Date because of Clyde and mean-spiritness and double standard or Pathing things up by giving Clincoln as filler, when she could have used other contestants as filler. She's good at writing heartwarming stories like Baby Steps or Friend or Faux or Roughing It or Funny Business. However when she tries mean-spiritness and comedy, then she's so bad at it. Her aesop from Save the Date is broken by Shell Shock. She's lucky I can't accuse her about breaking an aesop about lying, because Eric Acosta broke it by writing arggh you for real, where lying was used as a solution and Michael Rubiner by writing Sound of Silence.

I don't find Net Gains as a great episode too. It's boring, but harmless to me and gives Lynn development she needed. However why she was nicer to strangers than to her own family? This doesn't make her good after damages she caused in nsl and lta. This makes her similar to Lori, who was nice to Clyde in coh and generally Bobby, because unlike her family those 2 are convinient and useful for her. She was nasty to her siblings, because she thought she didn't need them.

Kevin wrote No laughing matter, where he gives message that critics are bad guys, what makes him pathetically trying to justify him writing abomination Brawl. This won't ever work. People don't accept Brawl and he calls its haters bad guys. Then having own opinion is a crime for him, same crime was in totalitarian nations. If Kevin can't take criticism like he described in nlm, then he should not risk writing new episodes.