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|“||Jesus watches from the wall, but His face is cold as stone. And if He loves me - as she tells me - why do I feel so all alone?||„|
|~ Words of Carrie White (describing both the crucified Jesus statuette in Margaret White's Prayer Closet and her loneliness in her poem/journal).|
|“||Everyone isn't bad, Mama! Everything isn't a sin!||„|
|~ Carrie White to her mother Margaret in Carrie (1976).|
|“||Does everyone think they can go on playing tricks on me?||„|
|~ Carrie White in Carrie (2002).|
|“||The other kids they- they think I'm weird, but I don't wanna be, I have to try and be a whole person before it's too late.||„|
|~ Carrie White in Carrie (2013).|
Carietta N. White, also better known as simply "Carrie White", is the titular villainess protagonist of Stephen King's controversial first horror novel Carrie written and published in 1974. In the introduction to the book, King states that the character of Carrietta White was based off of two real girls who he knew in his adolescent years while in grade school. Both girls were bullied to death and were the inspiration for King's novel. Carrie is the tortured soul turned murderous villain whom the third party can root for with guilty pleasure. The true villains who are strictly the antagonists throughout the entire plot are her worst enemy Chris Hargensen, the sociopathic and popular school bully with a wealthy lawyer father, and her severely mentally ill mother Margaret White, a religious and abusive fundamentalist.
Despite her eventually turning into a homicidal and destructive force to be reckoned with, Carrie was not a monster in the beginning. Carrie has two faces, one being the victim and the other being the villain she transforms into. Thus giving her two separate characters that dwell inside of her inner psyche, like a second twin of the opposite or split personality. Throughout her story in both the book and the movie, Carrie's first persona was a humble one. She was portrayed to be a loner, shown also as a shy and timid young woman with no confidence. Carrie appeared to suffer from Bi-Polar disorder, or possibly Post-Traumatic Stress disorder.
Carrie was a fractured young soul, in need of support and love. But it was only handed to her in small amounts, and at a very high cost. Carrie was a girl who had a traumatizing childhood and longed for a friend and someone who truly understood her pain and suffering. Alas, she let her telekinesis get the better of her and this, coupled with all the abuse she suffered, caused her to undergo a villainous transformation and rebirth. Carrie evolved and morphed into her second personality, a persona of darkness and distorted evilness fulled by malice which dominated the Carrie we originally sympathized with, and any other positive traits Carrie once had before.
Notably, even after her descent into villainy and unfathomable madness, Carrie is usually shown to still not be completely bereft of redeeming qualities.
In several versions, she spares Miss Desjardin's life (Miss Collins in the 1976 film) due to appreciating the kindness she had shown to her earlier and also chooses to let Sue Snell live even when she does not forgive her. Finally, she sought comfort in her mother following her rampage, suggesting that she still loved her and wanted to be loved by her even after all of the abuse Margaret showed to her.
Prior to snapping, Carrie was very sensitive and misunderstood. She would cry silently in her room late at night, dreading the next day of school. When she had her period for the first time, she was hysterically frightened because she thought she was bleeding to death internally and was going to die. She appeared to be a mousy, mysterious student who kept to herself much of the time and never bothered anyone.
Carrie's look is much more appealing in the Hollywood/TV movies and musicals than the acne ridden, colorless and overweight Carrie that Stephen King envisioned.
- In the novel, Carrie was first described while showering in the girl's locker room at school, which was against her mother's rules. She is said to be a "frog among swans", an unattractive and uncoordinated girl of fifteen/sixteen with oily pale skin with no complexion. She has short, mousy and colorless flat blonde hair with split ends that is the texture of soggy when wet. She was chubby at the waist, with a gut and had a lot of pimples on her chest, face, and back and buttocks. Physically, Carrie has lots of flaws and is even repulsive looking to some.
Carrie is disgraceful, has bad posture and slouches. She keeps her eyes glued to the floor at all times, other than in P. E. or class. Carrie displays nearly every negative trait an outcast misfit could have.
As a small child, she was described by neighbors as being a very pretty little girl, who always wore homemade bright colored clothes, stockings and long skirts every day at school and at home. But over the years Carrie did a "reverse ugly duckling". In the novel, long after Carrie's death, Estelle Horan, the White's old neighbor who used to sun bath topless in her own yard as a teen, blames Margaret for sabotaging Carrie's natural beauty she once had as a little girl.
"She was such a pretty girl,' Stella Horan resumes, fighting another cigarette. 'I've seen some high school pictures of her, and that horrible fuzzy black-and-white photo on the cover of Newsweek. I look at them and all I can think is, Dear God, where did she go? What did that woman do to her? Then I feel sick and sorry. She was so pretty, with pink cheeks and bright brown eyes, and her hair the shade of blonde you know will darken and get mousy. Sweet is the only word that fits...you could still see the misery within her, but she was just so sweet and bright and innocent. Her mother's sickness hadn't touched her very deeply, not then!" - Estelle Horan reflecting on the past and discussing Carrie White in a interview.
She was never seen wearing denim jeans or short skirts or tops that revealed cleavage because her mother does not want her daughter to wear fashionable clothes that she describes being "ungodly" or "provocative". Carrie is forced to wear homemade clothing that her or her mother sew that resembles the style of a "Thanksgiving Pilgrim/Pioneer".
- She is not killed in the second adaptation and it is hinted that she lives in the 2013 adaptation as well.
- In the 2013 remake, Carrie White mentioned that she inherited her telekinetic power from either her father Ralph, or from her great-grandmother Sadie Cochran, was the mother of Judith Cochran, the mother-in-law of John Brigman, the grandmother of Margaret Brigman. Sadie, like her great-granddaughter, was telekinetic. She died of heart failure at the age of 66, possibly from straining herself with her own power.
- Despite having psychic powers, Carrie White can be classified as a non-genetic class Metahuman/Superhuman/Superpowered Human/Homo Superior.
- She was killed by her mother who immediately got killed by a heart attack via Carrie's telekinesis and brought back to life by her best friend Sue Snell in the second adaptation (2002) and it is hinted that she lives in the 2013 adaptation as well when cracks appear on her gravestone in the closing sequence.
- In the 2013 film adaption Carrie was born in 1995 and died in 2013 meaning the film is set in 2013.
- Carrie saves Miss Desjardin and Sue Snell from dying in the 2013 film.
- In the 2013 film adaption, when Carrie tells Sue that her baby is a girl (conceived by both Sue and Tommy Ross) and saves her life from the destruction of her house, it is possible that Carrie now treats Sue as a friend.
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