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“ | I'll see you in my study. | „ |
~ Clay's catchphrase towards Orel whenever he does something wrong |
“ | Love is a very beautiful, very intense feeling for a startlingly short period of time. Before long you realize it gets in the way of the real important things in life like just going to sleep or being left alone. That's when love starts fading and lies kick in. | „ |
~ Clay Puppington to his son Orel about love. |
“ | WHY DO YOU QUIT WORKING ON ME?! She always fools me, Orel. "I'll make things better, dear! Drink me! Put me inside you! I'm great!" And she CHOKES ME, JUST LIKE EVERY OTHER WHORE OUT THERE! They're all worthless, kid! Every woman! Don't let them get ya! All of them wanna get ya! They just grab you and PULL YOU INTO 'EM! And you're forced to STAY IN AND PULL OUT! STAY IN, PULL OUT! And they got ya! And they grip you by the right-where-it-counts, and then start squeezing things out! Things that are like WEIGHTS AROUND YOUR HEAD! YOU'RE STUCK THERE FOR THE REST OF YOUR LIFE, WITH NOWHERE TO GO, AND NO ONE TO BE! | „ |
~ Clay Puppington's insecure breakdown in "Nature: Part 1". |
Mayor Clayton Middleinitial "Clay" Puppington is the main antagonist of the Adult Swim stop-motion show Moral Orel.
He is the Mayor of Moralton, as well as, the abusive, alcoholic father of Orel Puppington, husband of Bloberta Puppington, stepfather of his wife's second son Shapey Puppington and the unofficial adoptive father of Block Posabule.
He was voiced by Scott Adsit, who also voiced the Shamrock Bear in Robot Chicken.
Biography[]
Early Life[]
"Passing"[]
In the second episode detailing Clay's past, it is revealed Clay had an Atheist father, Arthur, and a religious fanatic mother, Angela who deemed Clay 'her one and only ever.' Clay is spoiled rotten by Angela on account of her having suffered ten previous miscarriages, due to smoking, alcohol and other lifestyle choices. When he finds out there was originally ten children before him, he is devastated as he feels he is not Angela's "one and only ever" anymore.
In revenge Clay fakes his own suicide as a prank, causing Angela to have a heart attack and die. When he finds out, Clay's father Arthur gets ready to strike Clay with the back of his hand, before eventually deciding against it, coldly telling Clay "You're not even worth it." This led to Clay learning to associate physical abuse with affection, and only furthered his path as the dependent, attention-craving abusive narcissist his mother's coddling and suicide helped create. A montage is shown of Clay doing actions and saying things that would anger his father enough to strike him, sometimes stating "Am I worth it now?"
Arthur describes how passing down a gun called 'Ol Gunny' is a family tradition, which he can be seen trying to pass down to Clay near the beginning of the episode. But after Clay's prank leads to Angela's death, he doesn't give Ol Gunny to Clay because of tradition, but because he didn't want it anymore because it became "tainted with blood". Clay however, promises Ol Gunny he'll "keep the tradition alive".
"Help"[]
Detailing how he ended up married, the episode is told from Bloberta's perspective. It's revealed Clay and Bloberta met at a relative of Bloberta's wedding. Feeling cut off and distant from her family and desperate to fulfill what she sees as her duty to become a wife and have a family, she introduces Clay to alcohol, manipulates him into feeling dependent on her, and eventually marrying her (right before the ceremony has even finished however it is shown that Clay's newfound alcoholism and womanizing have ruined the marriage before it even begun).
Beforel Orel[]
When Orel was four years old, Clay was more neglectful of Orel and was less willing to give him life lessons and teachings despite Bloberta's insistence for him to do otherwise. As Bloberta becomes pregnant with Shapey, Clay gets upset at the idea of having another kid and sends Orel off to his grandfather's during the 8 months Bloberta is pregnant.
After the eight months go by, Clay picks up Orel from his grandfather's farm and bring Bloberta to the hospital. As Bloberta goes into labor, Orel asks Clay where babies come from, as he thought that babies come from horses. Clay from this point that he can use God to justify anything that Orel asks of him. When they go to church however, Orel asks of proof of God due to his grandfather's influence, and wondering if God is a lie. The town and Clay then tries to influence Orel further into believing God, before Orel decides to attempt to murder Shapey in order to prove God is real. Orel writes to Arthur to let him know of this progression, as well as the fact he isn't allowed to talk to him anymore.
After Arthur stops Orey from his attempted murder, Clay finally reunites with him. The two have a talk about how Clay was insecure about his position as a father and how to teach his son, he then says however that he now knows the answer to Orel's questions, and it's God and religion. As Clay forbids Orel and Arthur from ever seeing each other again, Arthur walks off stating that even though Orel can be easily brainwashed, he is impossible to corrupt.
Moral Orel[]
"The Best Christmas Ever"[]
Sparked by hearing the Christmas message of Joseph accepting Jesus as his son, Clay finally becomes tired of faking a love and happy married life with his wife Bloberta. He angrily demands to know from her who has "been inside" her, knowing that Shapely is not really his son. Disgusted and as equally hateful of her spouse, Bloberta coldly tells him she wants a divorce. Clay is happy to oblige and storms out, the family ruined on Christmas day.
It is revealed in the next season that ultimately Clay did stay with Bloberta because his (and all of Moraltown's) religious nature frowns upon divorce, and stays with her to keep up appearances. Rather than smooth things over however it only makes Clay worse.
"Nature"[]
The Season 2 finale begins with Clay spanking his son Orel, a common occurrence. Orel inquires about Clay not lecturing him more about whatever he did to earn this spanking, which is not specified in the episode. Orel looks up at a deer head Clay has presumably mantled himself and Clay begins staring at it too. He decides it's time for him and Orel to go on "the father son hunting trip", which is a Puppington tradition despite Orel not being happy about the hunting part of the trip. Clay takes Orel down a hallway of all the weaponry Clay owns, showing off some specific guns and explaining why hunting is necessary, explaining it as "mercifully saving animals from nature's cruelties." Orel and Clay get to a gun named "Ol' Gunny", which is part of a Puppington tradition, where the father of a Puppington household would pass down the gun to the first born son. Clay decides to not give Orel "Ol' Gunny", instead giving him a regular pistol.
A week later, Clay and Orel go on their hunting trip. During the drive Orel tries to start conversation but Clay immediately shoots it down by turning the radio on. As soon as they get there Clay starts drinking immediately, and it is revealed he has packed several bottles of alcohol.
During the hunt Orel has trouble bringing himself to kill animals. This agitates Clay and he begins to drink heavily. Eventually a deer licks Orel, causing Clay to pull Orel away stating "Never fraternize with the enemy". Orel and Clay argue about shooting the deer, with Clay arguing that it's miserable because it lives in nature, and Orel believing that it looks perfectly happy. Clay then shoots the deer, which upsets Orel. Clay states that he 'wins' and then decides to shoot someone's hunting dog, trying to claim it is a rabbit.
By now heavily drunk, Clay cooks and eats the dog. Orel states that he is hungry, but Clay does not let him eat any of the dog because Orel did not kill it. Orel asks if Clay packed any food, but Clay states that they are surrounded by food, and questions why would he "pack legless food". Orel muses he should probably hunt something, but decides against it, stating that his dad is maybe "too drunk to hunt". This leads Clay into a long, drunken rant about how "drunk is nature", how he hates himself, and how women pull men in and trap them into a relationship. He screams at his bottle, asking why it doesn't work anymore, while slowly being covered in locusts. This ends with Orel firing the revolver he was holding, ending Part 1 of the episode.
Part 2 opens with Orel asking his father if he's okay. Clay however laughs, enraged that Orel has accidentally shot his last two bottles of liquor, remarking that it's the only thing he has shot since they started the trip. For the first time, Orel confronts him, telling him he becomes a bad person when he drinks. Clay then tries to spank Orel but has trouble taking off his belt and falls onto the tent, sobbing and flailing his legs. He grabs his rifle stating it's time Orel "become a man". In his drunken state he accidentally shoots Orel in the leg. He denies his responsibility, blaming Orel himself, saying he should be more careful next time. Orel states that it hurts, and Clay replies that it's supposed to, calling pain 'Nature's spankings.' He then says he needs to make a tourniquet, ripping Orel's lucky shirt, making him more upset. Clay then states that his lucky gun trumped Orel's lucky shirt. Orel tries telling Clay that he has some disinfectant in his bag, which angers him because he had told Orel not to bring first aid. Clay then takes out some rubbing alcohol, and drinks it all, as Orel watches in disbelief. Orel, completely disillusioned with his father, calmly and flatly says 'i hate you, dad'. Clay retorts with 'Hate away, sister. Hate away' before passing out.
A bear then shows up at the campsite, attracted to Clay mumbling in his sleep. Orel apologizes to the bear before shooting and killing it.
In the morning Clay wakes up and sees his son disheveled. Rather than try help him he simply demands his sleeping bag so he can block out the light. During the afternoon when Clay has woken up fully, Orel reminds his father that he shot him (Clay protests his innocence on the grounds he doesn't remember it). Clay then spots the bear Orel shot lying in the campsite and, daring to believe his son made him proud and killed an animal, asks Orel if he shot it. Not wanting to give his father any satisfaction, Orel coldly lies and tells him that he shot it, leaving Clay visibly disappointed. Clay ends the hunting trip by taking Orel to Dr. Potterswheel, the town doctor because he is good at "keeping his mouth shut and doing his job".
The episode ends with Orel bedridden and asking his mother, Bloberta, why she married Clay. Bloberta can only reply with "Why not?" Orel tells her that 'when he drinks, he changes'. Bloberta however shrugs it off, simply stating "He doesn't change, Orel. That's just his true nature coming out", and she hastily walks out of Orel's room.
"Numb"[]
Clay is not seen until the end of the episode, and it is revealed while drunkenly stumbling through the house he overhears Orel asking Bloberta why she married him, and his statement that he changes when he drinks. The conversation ends again with Bloberta dismissing it as Clay's nature, and then we see what happens when she leaves Orel's bedroom - she breaks down crying in the hallway. Upon noticing Clay, she stops crying and coldly returns to their bedroom. Clay follows her and lies down in the same position as her in their separate beds, contemplating their shattered marriage divided by a tall blackboard.
"Sacrifice"[]
Clay decides to forgo church with his family on Easter, instead of going to the local bar. Bitter, angry, and resentful at the world, he rants to Dolly, Putty, Papermouth, and Potterswheel showing up at the bar that he has sacrificed so much for his family. It eventually dissolves into a drunken rant against the world, women in particular, diminishing them as just a trophy for a man to grab, show off, and defend from another man. It becomes evident that underneath the abusive father and worthless husband Clay is just a lonely, insecure, pathetic man desperate for any kind of attention, no matter who he has to hurt in the process or how negative attention it is. He attempts to start a bar brawl, but cooler heads prevail and everyone at the bar abandons Clay to wallow in his self-pity alone.
"Honor"[]
In the series finale, Clay is shown to be at the local pub Forghetty's talking to his drinking buddy Coach Stopframe about how Orel got in the way of things on the hunting trip. Realizing Stopframe has had feelings for him for years Clay indulges him, seeing Stopframe as someone who can give him the attention he craves. Just as they're about to kiss, Ms. Censordoll shows up and forces Clay into kissing her. Throughout the episode, however, Stopframe finally begins to become disillusioned and see Clay as the abusive, drunk narcissist he is.
Later in the episode Clay, by this point desperate to mold Orel into something similar to himself (perhaps to justify to himself and others around him that any child with as bad a childhood as Clay would end up exactly like him) uses the commandment "Thou Shalt Honor Thy Father" to try and keep Orel under his foot. Orel, no matter how hard he tries however, can't find anything honorable about Clay.
Stopframe starts hanging out with Orel, who suspects and finally confirms that Stopframe has (or rather, had) feelings for Clay. Orel asks Stopframe what is honorable about Clay, and all Stopframe can respond with is that since Orel exists because of Clay, that's at least one honorable thing that came from him. Clay however begins to suspect that Stopframe and Orel are spending time together and begins spying on them, desperately afraid of losing Stopframe's affection and attention, and losing Orel as a part of himself.
His suspicions confirm Clay's jealousy comes to a head on Christmas Eve. He demands that he and his family go Christmas caroling at Stopframe's house (where Orel is staying). Spotting Orel, Clay becomes enraged and accuses Stopframe of raping his son to get to him. At the same time, he admits that it worked, because now Stopframe has "got to him". In full villainous breakdown mode, Clay sobbingly tells Stopframe that he loves him. Stopframe, however, finally sees Clay for what he is and rejects him. Clay, heartbroken and fully defeated, silently returns home with the rest of his family.
By the time Orel becomes a happy, married adult who is the father of two kids with his childhood sweetheart Christina Posabule (thus making Clay a grandfather) with a fulfilling life, Clay is shown getting old, still in a miserable marriage with Bloberta and the consequences of his drunken, abusive, narcissistic nature finally caught up to him. He is seen completely unhappy, alone, and unloved by anyone except by cold, distant obligation, and will likely remain so for the rest of his days.
Personality[]
Clay presents himself as an affable, well-spoken, and charming Christian man, but it quickly becomes clear this is nothing but a charade he's struggling to keep up. A twisted childhood, miserable marriage and dependency on alcohol have left him as a self-destructive, hateful, callous, misogynistic, racist, deeply depressed abuser who is completely incapable of realizing his own mistakes or facing the harsh realities of the world in a healthy, responsible way.
Clay's most prominent character trait eventually proves itself to be a man desperately craving attention. It doesn't matter to him if it is good attention or bad, and he does not care who he has to hurt or manipulate to receive it. His need for attention reaches its peak when he tries to start a bar brawl by poking at the insecurities of the other bar patrons and ranting about his jaded view of the world. When the other bar patrons decide he isn't worth it and leave him alone he hits an emotional rock-bottom. Due to his physically abusive and distant father, he views abuse as a sign of love, and carries this warped view of love into adulthood. Despite initially not caring for Stopframe at all he ends up declaring his love for him in anguish when he realizes that Stopframe has feelings for him, and views him as trying to take Orel away from him. He cares for his son Orel as less of a human being and less as his son and more as a piece of himself, with more of an emphasis on obedience and molding Orel into a miniature version of himself.
Clay also shows all the signs of a narcissist - he outright refuses to admit when he is wrong and will never engage in any activity that requires him to do so (such as punishing Orel for following his advice), he swings between emotions on a whim, puts up false personalities to bait other people into showing him affection and attention, has a deathly fear of rejection and seems physically incapable of caring for others unless they can be useful to him. He has formed a grandiose self-image to try and shield himself and others from the fact that he is in reality nothing but a hateful, unlovable, toxic narcissist.
Before meeting Bloberta, Clay in his twenties was calm, friendly, and mild-mannered, able to at least pretend to hide the baggage of his childhood. Once Bloberta introduced him to alcohol however all of Clay's vices, damage, and insecurities become clear. Alcohol, combined with being manipulated into marriage by Bloberta also sparked a deep hatred of women, seeing them as nothing but trophies that show the status of a man while slowly sucking the life out of them.
At his core, Clay serves as the ultimate warning of what can happen to someone when exposed to too much conservative fundamentalism, physical and emotional abuse of a child, and inability to take control of one's vices. He is simply a sad, pathetic, abusive alcoholic with a completely warped view of love, relationships, women, and the world in general, and the only thing that even the man who once loved him can say positively about him is he fathered Orel - a decent kid that turned out a well-adjusted, happy and upstanding person in life - despite, not because of, his father.
Trivia[]
- In general, Clay serves as a reflection of what Orel could have become if he allowed his bitterness and hatred to consume him and didn't acknowledge his mistakes nor try to learn from them. From Clay's perspective, he tries doing exactly that, showing that any child who has an abusive and unhappy childhood is destined to end up as bad as him. But as Orel begins to recover and constantly prove himself the bigger person, the entire third season ends up serving as one big villainous breakdown for Clay.
- Clay's abuse of Orel also serves to show how on account of Arthur refusing to beat him in "Passing"' and telling him "You're not even worth it.", Clay came to associate physical abuse with love.
- This implies that Clay had some love for Orel, but does not have any love for the rest of his family.
- Between his drunken rant in "Sacrifice", his associating physical abuse with love and his hurt that Bloberta cheated on him and Shapey isn't his, it is possible that somewhere Clay did at some point have a genuine love for Orel, Bloberta, the rest of his family and even Stopframe right at the end of the last episode, but his own nature prevented him from ever showing or acting on it. Whether or not Clay is capable of love and genuine human feeling or any of it he shows is a ploy for attention however is ambiguous.
- Locusts, in the bible, represent the wrath of God over sins committed by humans over the years. During Clay's drunken rant in "Nature: Part 1", locusts begin to cover his face, which represents how his sins have caught up to him, and God is punishing him for it.
- Clay's influence as Mayor of Moralton may be the reason why the whole town is as devoted to God as he is.
- Had the series continued, it would've been revealed that Ms. Censordoll has been manipulating Clay, among other people in Moralton, using voodoo. She was the one who influenced Clay to shoot Orel in "Nature", as hinted in "Alone" and "Nesting".
External Links[]
- Clay Puppington on the Moral Orel Wiki
- Clay Puppington on the Near Pure Evil Wiki