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|“||I have to sing! I have to play! The music, it's not just in me, it IS me!||„|
|~ Ernesto explains what he is in one of his films.|
|“||Seize your moment!||„|
|~ Ernesto's most famous quote, also foreshadowing his true colors|
Ernesto de la Cruz is the main antagonist of Pixar's 19th full-length animated feature film Coco. He is Héctor Rivera's former childhood best friend and music partner, Miguel's former idol, the former two's arch-nemesis, and a famous singer, musician, and actor (but fake songwriter) who had dazzled the audience with his good looks and his charm, and was a source of Mexican pride due to his handsome looks, supposedly strong morals, and his standing up for his fellow Mexicans. He died when he was crushed by a giant bell mid-performance and resides as a soul in the Land of the Dead.
However, it was revealed that Ernesto murdered Héctor, who actually wrote all his songs, for betrayal and stole all of his songs and compositions to gain fame and fortune, thus making him indirectly responsible for the Riveras hating music and Héctor in the first place (except for Miguel and Coco).
In the English version, he was voiced by Benjamin Bratt, who also played El Macho in Despicable Me 2, Antonio Pope in Ride Along 2, and El Topo in Snitch. In the Spanish dubbed version, he was voiced by Marco Antonio Solís (also known as "El Buki") in his first villainous role.
|“|| Ernesto: Security? Take care of Miguel. He'll be extending his stay.|
Miguel: What?! But I'm your family!
Ernesto: And Héctor was my best friend. Success doesn't come for free, Miguel. You have to be willing to do whatever it takes to... seize your moment. I know you will understand.
| ~ Ernesto revealing his true nature to Miguel after admitting his murder of Héctor.|
At first glance, Ernesto presents himself as a charming, wise, sensible and intelligent individual who encouraged others to follow their dreams no matter what, making him seem like a good role model to others (especially to Miguel). He also comes across as a very fun, friendly, and approachable person, the sort who's the life of the party wherever he goes while also being very personable to his guests as well as his staff.
However, it all turns out to be a facade to hide his true nature: that of a selfish, vain and overambitious man who wanted glory and fame for himself — even if it meant murdering his best friend Héctor in order to steal his song book. His afterlife as a spirit has also allowed him to strengthen his reputation, and he will go to malicious lengths to maintain it. Therefore, his view of how someone should follow their dreams no matter what, makes him even more selfish than anything else.
He has a very paranoid personality, as shown when he considered Miguel a liability when the boy witnessed the revelation of his true colors and went to the extent of attempting to murder him to hide his secret. He showed no remorse nor hesitation as he even taunted his former friend Héctor with a sarcastic apology before nearly wiping him from existence.
He was also cocky enough to hide his secret in one of his films, which inevitably caused him to be exposed. When faced with his actions, he can also be cowardly as shown when he was attacked by Héctor for killing him and being confronted by the other Riveras who learned the truth about Héctor's death.
Despite his selfishness, he is capable of showing common decency to people as long as they don’t know his secret and he saved Miguel after he fell into his pool while at the party. He then spent some time bonding with Miguel and even intended to give him his blessing to return to the Land of the Living. That is, this was before Miguel figured out what he did to Hector, so it's debatable whether Ernesto's act of decency was sincere or not.
- Miguel Rivera - Former Biggest Fan Turned Archenemy
- Héctor Rivera - Former Best Friend Turned Secondary Archenemy and Murdered Victim
- Imelda Rivera
- Óscar and Felipe
- Don Hidalgo
- Everyone - Former Fans
- Ernesto is designed after famous Mexican actors and singers from the Golden Age of Mexican Cinema, in particular, Jorge Negrete.
- At his party, Ernesto is seen interacting with Negrete and Pedro Infante (two of his inspirations).
- The message of the sign (FORGET YOU) hung on Ernesto's bust at the film's ending was altered in two versions. Some have a translated version of the message while other international versions (especially in the English version with Spanish subtitles released in Mexico and some American cinemas) have replaced the message with a big "X" instead.
- Ernesto is the Spanish variation of the name Ernest, which sounds and is spelled very similarly to the word earnest, meaning truthful, genuine or heartfelt. And his last name is Spanish for "of the cross", meaning his name is literally "Heartfelt of the Cross". This is a major cause of dramatic irony considering his true nature is a liar, fraud, and murderer.
- Except "Remember Me" (which was sung by his original voice actor), Ernesto's singing voice is provided by a different actor, Antonio Sol.
- Several easy-to-miss signs foreshadow Ernesto's true colors and hint that he is not Coco's father:
- In the Rivera family portrait, although Imelda's husband wore an outfit similar to Ernesto's, the belt buckle had two guitars on it. Ernesto's belt buckle does not have this emblem, but rather the symbol of a bull's head. The faceless man in the photo also has a noticeably thinner body type.
- Early on when Miguel watches an old video of Ernesto, the camera zooms in on the latter's hands when he's playing notes, implying that it's a stunt double. There are only wide shots of Ernesto when he's merely strumming, hinting he's not as talented as he appears to be.
- Ernesto is clearly shocked when Miguel first calls him his great-great-grandfather but still believed him. This implies that while Ernesto never married, he had at least one extramarital love affair and, given the time period and culture in which he lived, was worried about his reputation getting ruined by the accidental conception of a child outside wedlock.
- Héctor states that Ernesto wasn't very talented. This is proven true when the latter states in the flashback that he can't succeed without Héctor's songs.
- The novelization gives a hint in one of the flashback chapters. Ernesto convinces Héctor to go on a series of tours throughout Mexico. During their performances, Héctor notices that Ernesto’s singing and playing style shifts between happy and half-hearted depending on the audience size, and realizes that his partner cares more about attention than about the art behind music.
- Ernesto speaks casually when saying that he needs to get Miguel home, rather than with concern. As he prepares to give the blessing, Ernesto also states he hopes for Miguel to "die very soon". The first action foreshadows Ernesto's lack of authentic compassion while the second action foreshadows the lengths to which he is willing to go to avoid being exposed or upstaged.
- The involved movie staff have stated that a person can give their blessing to anyone who is loved like a family member (not just a blood relative), but said feeling must be mutual. Ernesto's petal does not glow when he offers Miguel his blessing, and this hints that while Miguel views Ernesto as family, Ernesto views Miguel as merely a disposable vehicle to fame.
- Frida Kahlo says that Ernesto never shows up to rehearsals, preferring instead to host parties in his mansion, which again demonstrates how he prioritizes attention over music and fans. The same goes for Héctor, who complains about that fact.
- When both speak of this, they speak it in a rather negative tone, reinforcing the fact that Ernesto wasn't talented in the first place.
- When Miguel asks Ernesto how he felt about leaving his family, the latter gives a vague response that it was "hard" but he had to follow his dreams. Ernesto does not mention a wife or a daughter, let alone Imelda or Coco.
- Miguel's family does not object to Miguel mentioning Ernesto, even though they object to him referencing Coco's father, although they did mention that they never knew about Coco's father's identity. Furthermore, when Miguel declares Ernesto to be his great-great-grandfather, the family claims that it is "impossible".
- Whenever Miguel's family talks about Coco's father, it is mentioned that he was forgotten and left off the ofrenda. Ernesto, on the other hand, is remembered by many people, both living and dead. This is the most obvious hint that Ernesto is not Miguel's great-great-grandfather.
- Despite getting crushed a second time, Ernesto still exists in the Land Of The Dead, as Lee Unkrich confirmed. Unkrich has stated that Ernesto is still remembered for his movies and his story as the one who stole Héctor's guitar and his songs and murdered him, albeit permanently disgraced.
- Thus, he is unique among Disney/Pixar villains in that he died before the events of the film rather than at the end or not at all, and is thus dead (though very much active) during his antagonistic role.
- This also fits in with the general Disney tradition of giving villains a fitting fate; all that mattered to Ernesto was fame and the adoration that came with it. He is now stuck in a permanent existence, unable to cross over to the Land of the Living and denied the 'Final Death' as people insist on remembering his vile actions (as murders of famous people are remembered).
- This was originally explored in the deleted scene "To the Bridge" where Ernesto was in hot pursuit of Miguel at the decaying Marigold Bridge where they would have a showdown during sunrise once Dia de los Muertos ended after the countdown. Ernesto ended up getting evaporated with the marigold petals as he grabbed Miguel. This was scrapped as it proved to be too much of a rehash to the climaxes of the Disney Renaissance films.
- Taking into account the years in which they were born, Ernesto is four years older than Héctor. He was about 46 years old when he died, outliving Héctor by 21 years―the same span of time Héctor was alive.
- Ernesto's downfall is shared with fellow Pixar villain Henry J. Waternoose from Monsters, Inc., as both had their true motives caught on camera and lost their respect from the public. However, Waternoose had more firm and understandable reasons for his actions, ultimately going mad to save his company and stop the energy crisis, while Ernesto murdered Héctor for selfish reasons, such as fame.
- Ernesto also has similarities with another Pixar main antagonist Charles F. Muntz from Up, as both are celebrities who are initially idolized by the protagonists. When the protagonists learn of their true nature, they stop idolizing them and become their enemies. Furthermore, they try to kill their former fans to stop them from ruining their plans.
- He seemed to have familiarity with Imelda, possibly having come in contact with her before he and Héctor left Santa Cecilia, which made sense as she was the wife of his former best friend.
- When Héctor was about to leave Ernesto, Ernesto immediately offered a drink that had a poison that kills Héctor. However, there was no preparation for Ernesto poisoning the alcohol shown. This indicates that the alcohol had already been poisoned prior. It can be explained that Ernesto may have gotten the poison while on the tour. And since he and Héctor had been touring for some time, there are indications that they argued over it constantly, with Ernesto managing to talk him out of it while making contingency plans (including having the poison on hand) to kill him if he insisted on leaving. So when Héctor finally decided to go home and ignored Ernesto's pleas, that was when Ernesto snapped and poisoned him.
- In the deleted scene "Family Fix", Ernesto snatches Héctor's guitar from Miguel (then known as "Marco" during development) and breaks it (which ended up destroying his only hope of getting home) right in front of the audience and the Riveras at the main stage. At this point, he is reviled by the dead and is given a final slipper to the head by Imelda. It was scrapped because it went against how Ernesto's downfall was to be finalized.
- In the deleted scene "Dia de los muertos", it features a group of people singing a calm ballad, before turning it over-the-top and practically bastardizes the meaning of the holiday. This could mean to foreshadow how Ernesto bastardizes Héctor's song, "Remember Me", from a personal family song into a flashy fame song.
- Ernesto serves as a dark parallel to Miguel: Both of them are determined to become musicians. However, while Miguel's desire to become a musician comes from his musical passion, Ernesto only cared for fame and glory. If Miguel hadn't learned how family is important to him, he would've ended up like Ernesto, who didn't care about family and friendship.
- Ernesto's downfall was possible primarily because of his movies; if Ernesto had not included the poisoning scene that parallels his poisoning of Héctor, his true nature may have never come to light.