DIO has declared that this article has stopped in time, and any or all information on it may be outdated. Help improve this article by checking and updating its info wherever necessary And now time resumes! |
Darkseid has declared that this article requires immediate Cleanup in order to meet a higher standard. Help improve this article by improving formatting, spelling and general layout - lest it fall victim to an Omega Effect |
Harley Quinn thinks that this article looks kinda boring, eh? Why not put some categories there to spice it up? Help by adding new categories to the article! |
This article's content is marked as Mature The page contains mature content that may include coarse language, sexual references, and/or graphic violent images which may be disturbing to some. Mature pages are recommended for those who are 18 years of age and older. If you are 18 years or older or are comfortable with graphic material, you are free to view this page. Otherwise, you should close this page and view another page. |
Gilderoy (surname unknown) is the main protagonist villain in the 2012 psychological giallo/drama film Berberian Sound Studio. Gilderoy is a British sound designer commissioned by Italian shock director Giancarlo Santini in the latest project, with severe and dramatic consequences.
He's portrayed by Toby Jones, who also portrays Lanfranco Cassetti in Murder on the Orient Express.
Biography[]
Gilderoy, a petite, middle-paged Brit who still lives with his mother, is requested personally by director Giancarlo Santini in his already filmed movie, The Equestrian Vortex, allegedly based off a real production. The graphic scenes and thus the intense sound effects needed with the film reveals it's a giallo production, which Santini keeps vehemently denying out of person offense and obsession over the film.
Gilderoy assists in recording and arranging foley as well as the screams and sounds of hired actresses, Silvis and Claudia, improving the quality of the recordings even when working at home, as well as keeping in touch with his mother. But he stops providing his mother updates, his colleagues are aggressive with each other and him, the scenes get more horrific, and Silvia lividly reveals her sexual violation at the hands of Santini. She mangles the recordings she made before quitting and storming off. Gilderoy also can't get a refund for his flight once he submitted a plane ticket because apparently it never happened, nothing found on record. All this makes Gilderoy paranoid and abrasive himself, even at home when he's hearing bumps in the night.
Elisa is hired as new actress, and she's practically tortured with driving her up the wall in the sound effects they try to force out of her. With this and more altercations in the studio, Gilderoy feels like everyone's emulating the madness and destruction of the giallo. he even has a dream where he's in such a film, fluent in Italian like other present in it and crazily violent to fit the genre. The film ends with him contemplating how far he's crossed the line in a job he can't even say in the moment if he regrets or not.