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| “ | My point being that the appetites of the filthy rich are specific, altered from that of the common man. I feed some of that hunger with this building. My art. But sometimes... if I really want that good, full feeling... | „ |
| ~ James Patrick March, just before stabbing an unsuspecting foreman to death. |
James Patrick March is the secondary antagonist of American Horror Story: Hotel, who later returns in American Horror Story: Apocalypse as a minor antagonist. A millionaire and serial killer, he is directly responsible for the creation of the Hotel Cortez during the 1920s, having built it with the specific intention of using it as a venue for his murders - as well as a place to dispose of the bodies.
March is also original Ten Commandments Killer, having committed the first two murders; however, his designs of continuing the murders were cut short when the police learned of the killer's true identity through a tip-off, forcing him to commit suicide in order to escape arrest. However, his spirit lingered on in the hotel after his death, intent on finding a successor to continue his work.
Over the course of his century-long search for a successor, he was responsible for molding several of the Hotel Cortez's guests into some of the most infamous killers in American history, including Charles Manson, Richard Ramirez, Jeffery Dahmer, Aileen Wuornos, John Wayne Gacy and the Zodiac Killer. His newest target is series protagonist John Lowe, who March believes to be the best candidate for the role of the modern day incarnation of the Ten Commandments Killer.
He was portrayed by Evan Peters, who also portrayed Tate Langdon in Murder House, and Kai Anderson in Cult.
Appearance
| “ | Ah, yes. I had a marvelous professor at Exeter: I freely admit that I mimicked his Brahman diction until I made it my own. As for my clothing, my choice of decor, the modern world is an awfully uncomfortable place, don't you think? Yes, I know the accoutrements of modern living allow an ease of communication, but the price paid for that is that no one actually sits and talks over a drink, like the good old days. | „ |
| ~ March explaining his mannerisms |
As a product of 1920s new money, James Patrick March is always impeccably dressed in tailored pinstriped suits, often augmented with bowler hats and walking canes - most of which usually conceal a blade of some kind. March's handsome features and immaculate 30's-era attire often lead others to compare him to movie stars like Clark Gable, especially thanks to his pencil mustache and clipped Brahmin accent. Having been dead since the 1930s, March does not age, firmly cementing the sense of timelessness.
The only time he can be seen out of his familiar uniform is during his more labor-intensive murders, during which he wears a heavy apron, a pair of gloves, and an elaborate mask - the latter to prevent any victims from seeing his face, the former to avoid chemical burns while in the process of dissolving bodies in acid.
However, like many ghosts, March's spirit has been marked by the wound that killed him: having killed himself by slitting his own throat, his ghost can be instantly recognized by the gaping wound across his neck, and March generally goes out of his way to hide this distinctive mark with an ascot - particularly while dealing with visitors who aren't aware of the supernatural.
Personality
| “ | You can scream as loud as you like. In fact, I prefer it. | „ |
| ~ March, getting ready to immolate a contractor |
Glibly charismatic and superficially polite, James Patrick March was able to keep his guests, workers and the general public oblivious to his true nature for many years prior to being unmasked, and even as a ghost, he is still in the habit of charming visitors to his hotel. Much of his mannerisms are only adopted affectations: having been born into poverty and achieved wealth on his own, March was determined to reinvent himself as a gentleman despite his status as a member of the noveau riche. To that end, he attended university, studied literature, architecture, theater, and regularly quoted works like Hamlet in order to show off; he even copied his tutor's Brahmin diction until he adopted it as his own accent.
Ultimately, his image as the perfect host is upheld even during the worst of March's crimes, and throughout his many acts of murder and torture, he can be seen smiling, laughing and chatting jovially with his victims right up until he kills them. Tristan Duffy, John Lowe and at least two unwitting foremen were completely disarmed by his well-mannered facade - to the point that Lowe even considers him a friend for a time. Incidents such as these almost always ended with the target of March's overtures being either corrupted into serving him or killed.
The only thing that can get him to abandon his disguise is anger: if annoyed or incensed, March can drop the well-mannered mask at a moment's notice and begin screaming at the top of his lungs; an easy way of getting on his nerves is to interrupt his monthly meeting with his Elizabeth, though getting him to lose his temper can be a simple matter of refusing to obey him - or even merely taking his lessons lightly.
As a psychopath, March's relationships are shallow at best, and often grounded in abuse and manipulation. Though he apparently considers his serial killers he tutored to be his friends, he's not above menacing, assaulting or psychologically toying with them if it allows him to sculpt them into individuals more to his liking, and shows little qualms about insulting them behind their backs - dismissively referring to Jeffrey Dahmer as a "poof." Similarly, though he claims to love Elizabeth, their marriage is extremely dysfunctional: his rescue of her is framed more like a kidnapping, and their continued relationship is barely cordial, to the point that March actually calls her a "perverted animal" - right to her face. More often that not, Elizabeth is treated as a henchwoman no different than Miss Evers, used and exploited at will in order to further March's designs for the Ten Commandments Killings. And when Elizabeth is killed in the penultimate episode of the season, March reacts with absolute glee when her spirit ends up trapped in the hotel alongside him, overjoyed at the prospect of being able to torment his estranged wife for all eternity.
For good measure, March can be very possessive of things that he considers his, and responds with considerable spite if he believes that his property has been violated. In one case, having selected John Lowe for the task of continuing his work, he erupts with rage when Hypodermic Sally allows John's suicide attempt by hanging, threatening to have Sally fed to the Addiction Demon unless she behaves. This sense of megalomaniacal ownership extends to his marriage to Elizabeth: upon discovering her relationship with Rudolph Valentino and Natacha Rambova, March had the two vampires kidnapped and imprisoned in a sealed-off wing of the hotel with no chance of escape, and expresses utter glee in observing Elizabeth's horrified reaction when she finally learns of what happened to them almost a century after the fact.
March despises religion, claiming it to be the worst thing in all the world, and even boasting of his intention to kill God at one point; the Ten Commandments Killings were his way of attacking God, and for this reason considered the completed work his magnum opus. He also went as far as to collect all the bibles from his hotel bed stands, and arranged them with a pile of his victims that he had left for the police. It's likely that he developed his hatred of religion as a result of abuse, having described his father as both a true believer and "the meanest son of a bitch" he'd ever seen.
However, March was a prolific serial killer for many years prior to taking up the Ten Commandments as a basis for murder, using a wide variety of methods in order to dispatch his victims: stabbing, lacerating, impalement, bludgeoning, shooting, immolation, and in at least two unfortunate cases, live burial behind brick walls. A sadist by nature, he liked employing both physical and emotional torture against his victims, having outfitted the Cortez with numerous dead-end hallways that would allow him to corner victims and savor their terror as he closed in for the kill. Most often, the murders were committed for no other reason than perverse enjoyment - although he occasionally made exceptions for people who inconvenienced him, as was the case with his accountant. As he later explains, he tried many drugs in his time but none of them ever satisfied him: the only way for him to experience "that good, full feeling" was to murder someone. Even as a ghost, he still occasionally finds time to indulge his addiction.
In keeping with his vicious, sadistic nature, his sexual tastes are extremely sadomasochistic: he took great pleasure in throttling Elizabeth on their wedding night - and also clearly enjoyed being strangled by her in turn. As flashbacks demonstrate, he wasn't above raping his victims, particularly while in the process of murdering them; given that he didn't reach climax until well after one unfortunate woman was quite clearly dead, he also has a penchant for necrophilia.
Because he cannot venture beyond the boundaries of the hotel, the true danger that March poses lies in his ability to persuade, manipulate and corrupt, warping unsuspecting individuals into fellow murderers: upon being introduced to him in a time of grief, both Miss Evers and Elizabeth became his eager partners in crime - the latter going on to become a vampiric serial killer in her own right. Over the course of the 20th century, he made contact with people he considered ideal material for his successor, and inspired in them a bloodlust that they might never have discovered on their own. However, his gift for corruption is most effectively displayed in his interactions with John Lowe, in which he not only appealed to John's deeply-buried rage at the injustices of the world, but also went out of his way to break John's family and spirit just so the detective fully committed himself to the role of a serial killer.
Quotes
| “ | Take any piece you like. None of it has any meaning for me. You look like you could use a drink. | „ |
| ~ James Patrick March's first lines in the season. |
| “ | You've got to go out and grab life. | „ |
| ~ March, just before shooting a captive victim in the head. |
| “ | But more importantly, remind me to switch out this God-awful Secessionist light fixture! Makes this place look like a damned zoo! Excuse my language. | „ |
| ~ March, fresh from raping and murdering a woman. |
| “ | Good. You've found your calling. Then you can appreciate what I've built here. Secret rooms, hinged walls, acid pits, asphyxiation chambers. Are you familiar with my Black Closet? [...] Yes. There are places in my murder palace that have sat in cold neglect for far too long. You can put them to good use, old boy. | „ |
| ~ March, grooming Tristan for the role of a serial killer. |
| “ | This is my problem with police officers. All you care about is evidence. Evidence, evidence, evidence. Until that evidence no longer fits the narrative, you need to be true, at which point the evidence becomes an illusion, a mistake, a trick. You've lived in my hotel long enough, John, seen enough evidence to know that what is impossible becomes very possible here. | „ |
| ~ March, musing on John's difficulty in realizing the truth. |
| “ | I'd like to welcome you all to the opening week of the Hotel Cortez! A shame we can't all enjoy these libations in my new Blue Parrot Lounge, but... until someone with some sense repeals that nasty Volstead Act, both I and Mr Capone will have to make due. | „ |
| ~ March, welcoming guests to the Hotel for the first time. |
| “ | I have a sneaking suspicion you're going to miss your train. | „ |
| ~ March, preparing to imprison Valentino and Rambova for eternity. |
| “ | Ah, yes. That light-in-the-loafers fellow that bought my hotel. Very good, darling. Very good. Might I suggest that when you murder him, you do so off the property? It'd be damned awkward to keep running into him for all eternity. | „ |
| ~ March, on Will Drake. |
| “ | I thought I could make you love me. I thought if I gave you everything your little heart desired - riches, comfort, this hotel... but none of it moved you. I could never compete with the shadow of a god on a screen, 20 feet tall! | „ |
| ~ March, bitterly musing on Elizabeth's infatuation with Valentino. |
| “ | Yes. Your god... trapped within the walls of the palace I built... for my queen. | „ |
| ~ March, gloating over what he did to Valentino. |
| “ | Damn it, who is interrupting us?! I'll break the finger who dared ring that bell! [...] I GET ONE NIGHT WITH HER! ONE NIGHT WITH HER THE WHOLE MONTH! | „ |
| ~ March losing his temper over an interruption. |
| “ | And you are full of rage. Dangerous to keep it all inside, John, it'll give you the cancer if you don't let it out sometimes. Tell me, have you ever roughed up a suspect a bit, put him in handcuffs and then forgotten to read him his rights, and then just given him some good old-fashioned justice right there on the spot? | „ |
| ~ March, poking at John's hidden resentment. |
| “ | Elizabeth: Why would I help you when it gives me so much joy to see you suffer? March: He has children; the boy is very beautiful. Like I said, he just needs a little push, a nudge into the darkest places of his heart. He needs to hate the whole world and everything in it. | „ |
| ~ March, making plans to corrupt John. |
| “ | John, do you know the difference between you and I? [...] Pain. I've shed my load. You carry yours like a man with a sack full of rocks crossing a river. One false step and you go under. I submit you've received no justice for the pain you've suffered. You're constrained by the very laws you promised to uphold. It's not your fault, you see. It's what you've been taught. | „ |
| ~ March, to John at their penultimate dinner. |
| “ | You can report me, but it won't take an ounce of weight off those broad shoulders. What's holding you down is a moral code contrived by man, laws written by bureaucrats. Take my hand and climb out of that morass! | „ |
| ~ March, shrugging off John's threats of arrest. |
| “ | John: Everything's chaos. March: It's up to us as civilized men to impose order on that chaos, just as you did tonight. John: I lost control. March: You let go. That's very different. John: It didn't bring Holden back. March: No. Your son is gone, and the pain you're feeling will never go away. But you used it tonight: you took your pain, and you made the world a cleaner place. That's a decidedly positive first step. | „ |
| ~ March drawing John back from a suicide attempt. |
| “ | Behold, the unfinished work of James Patrick March. This was to be my crowning achievement, my Hamlet. Well, really more of a sonnet when you compare it to my earlier work. What I really loved about this project was it's simplicity of statement, the elegance of a round number - ten - which make it all the more vexing that I was never able to complete it. Finish my work, John. Make it your own. | „ |
| ~ March, introducing John to the collection of trophies. |
| “ | Your magic has nowhere to go, my dear. You see, I'm not alive: you may be a witch... but I am a ghost. | „ |
| ~ March, after getting the drop on Queenie. |
| “ | A toast! How thrilled I am to have you across from me - not once a month, but from now on... until the sun falls from the sky and the heavens burn in conflagration. | „ |
| ~ March, gloating over having Elizabeth with him for all eternity. |
| “ | ENOUGH! This is not a democracy! We are not in the House of Lords! We are a ship at sea! And when it comes to you spirits, I am captain! SO LISTEN UP, MATEYS! There are six criteria that the U.S. Department of Interior uses to determine if a place is worthy of being called an historical landmark. This hotel fits them all. The one thing it does not yet possess is time. Age. August 23, 2026: That will make it 100 years that this hotel has stood, and on that day, it will earn its rightful distinction as an historical landmark. They won't be able to tear it down even if they wanted to. The killing must stop! | „ |
| ~ March, laying down the law. |
Gallery
Add a photo to this galleryTrivia
- March is based on the historical figure of Herman Webster Mudgett, also known as Dr. Henry Howard Holmes or simply H. H. Holmes, who is infamous of being one of the earliest serial killers in American history.
- March is officially ranked by FX Network to be the evilest American Horror Story character portrayed by Evan Peters.
- In both season 1 and season 5, Evan Peters's character is a ghost.
- Coincidentally, both of these characters were known murderers, as Tate was a mass murderer and March is a serial killer.
 Villains
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Murder House Asylum Coven Freak Show Hotel Roanoke Cult Apocaplypse 1984 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
