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You're outnumbered and outdone Bastian. And you only have one wish left. So use what's left of your brain and wish to go home! That's where you belong.
~ Xayide to Bastian Bux in the climax of The NeverEnding Story II: The Next Chapter.
Now that was wishful thinking.
~ Xayide in Tales from the Neverending Story.

Xayide (pronounced as "Zai-Ye-Dā"), the personification of The Emptiness, is an evil witch who serves as a major antagonist in the 1979 German novel Die unendliche Geschichte (The Neverending Story) and the 1990 fantasy film sequel The NeverEnding Story II: The Next Chapter, in which her role is vastly expanded. She also serves as the primary villainess of two spinoffs: the cartoon The Neverending Story: The Animated Adventures of Bastian Balthazar Bux and the live-action television miniseries Tales From the Neverending Story.

She was portrayed by Clarissa Burt in the 1990 film sequel, and Victoria Sanchez in the miniseries. She was voiced by Janet-Laine Green in the animated series.

Appearance

Xayide appears as a stunningly beautiful woman clad in wondrous, elaborate robes, albeit one somehow disquieting, hinting her true, uncanny nature. In the novel, she is depicted as tall, with long, flowing, curly red hair and very pale skin, clad in red robes and depicted wearing a red cape with armoured, pointy shoulder pads. Her most striking physical feature are her heterochromatic red and green eyes.

The film shows Xayide very similar to her looks in the novel, though she first lacks a face and needs to apply a magical ointment on herself to make herself one. She has brown hair and her eyes are golden. While she is gorgeous, her rather rigid posture and features are a reminder of her otherworldly nature.

She first wears an elaborate red gown, jewellery and a sophisticated hairdo, but later changes for robes covered in diamond motifs with large, pointed shoulder pads, that start emerald-green but progressively darkens as her plan unfolds, until being pitch black in the climax.

In the cartoon, Xayide first appears sporting a featureless face showing what she sees like a screen, until she gives herself facial features with her magic, as a nod to the film.

She wears a forest green robe and hood reaching down her waist, and a lighter upper dress with pink trims on her shoulders and sleeves. She has fair skin and pink lipstick, but hides half her face under a black mask ending in a pink tiara shape, with yellow slits that can either be her eyes or cover them, narrowing and widening like real eyes and glowing following her mood.

The live-action series portrays Xayide as a tall and fair-skinned woman with dark brown hair, clad in a rich black dress, a gold tiara and red jewellery, and red lipstick. She lacks otherworldly features, but her true nature remains apparent.

Nature

In the Novel

Xayide only looks human, being an unearthly, seemingly ageless entity ruling the Emptiness: all that exists without substance, either physically, spiritually or even metaphorically. It threatens to engulf all, leaving them outwardly intact, yet voided of essence and barely existing, unable to fulfil their purpose.

Just as the Nothing comes from humanity's cynicism, apathy, and excessive materialism, the Emptiness comes from lack of interest, boredom and loss of imagination. Being an outside force opposed to the dreams and creativity from which comes the magical world of Fantasia, made of everything ever imagined by humans, it must be dealt with by a human full of those qualities.

Xayide rules her domain and armies from a creepy castle shaped like a hand called Horok, which is also known as the Seeing Hand, so called because of its multitude of windows appear like countless eyes. In the novel, Xayide controls Emptiness and seems to be its source, but what she is remains ambiguous, as the narration often states: "But that is another story and shall be told another time."

In the Film

Still, the film explicitly describes Xayide as the personification of Emptiness, which is elevated as a threat to all of Fantasia, in the same way as the Nothing, and might be a remnant of its destruction undone by Bastian's wishes. The face she gives herself to mask her shallow nature could be seen as a symbol to the apparent normalcy of the unnatural, and the danger looking innocuous at first glance.

In the novel, Xayide was mortal and her magic could be broken, which ended up leading to her death, but in the film, she could only be destroyed by filling her void in every way. No longer being empty, she could no longer exist in the first place and all that she voided was given back substance along with her.

In the Cartoon

Faceless Xayide

Xayide first appears as faceless in the cartoon.

The cartoon makes little to no mention of the Emptiness, portraying Xayide as a rather standard evil witch, to the point of having herself and her servants addressing her as the Mistress of Evil.

In a way, this is truer to the novel, that emphasized her sorcery over Emptiness. Still, she must give herself a face again, and while mortal, when seemingly destroyed she manifests as a huge green cloud with her face who swears revenge, hinting that she is more than it appears.

In the Live-Action Series

In the live-action, Xayide is the sister of the Childlike Empress, who used to rule Fantasia with her, until she grew ambitious and attempted to seize power and was banished to the Dark City. As always, she rules as a witch queen, over Dark Knights instead of empty armors and monsters and brainwashed Drones. She spreads the Nothing, here the same as the Emptiness, to void Fantasia of the beauty, creativity and spirit giving it substance.

Powers and Abilities

Xayide is described as the greatest witch in Fantasia. And she is even more powerful in the adaptations, being doubtlessly the mightiest being in Fantasia outside of the Ivory Tower. She might even be equal to the Childlike Empress herself, as in the film she could keep her under home arrest, and spread the Emptiness over Fantasia, turning it into a lifeless, desolate land.

Her primary power is her complete control over what is empty, ranging from her minions (empty suits of armour in the novel, shallow giant monsters with pincers, and retractable buzzsaws or drills in the film), to people who lost their memories and purpose. In the film, she gradually drains all substance from everything, leaving things as good as inexistant and spreading destruction over the land.

Xayide's sorcery is unrivaled. In the novel, her sorcery can void and wane subjects and objects, or control empty things of all shape for her to animate In the film, being able to travel through the centre of the world and reappear everywhere she wishes at the speed of darkness, stated to be faster than light. She see and cast spells where she is not physically present, keeping tabs on the fleeing Bastian miles away and hurling a hand-shaped energy blast to seize him. She also owns several magical artefacts. However, she needs a machine made by her servant Tri-Face to steal the hero Bastian Bux's memories, while it was something happening on its own (of which she knew but had no power over) in the novel.

In the cartoon, she can teleport, perform telekinesis, conjure what she wants up to a wondrous feast or elements, create micro-climates and summon powerful elemental spirits, among others. She can make potions, create magical artefacts, and cast all manners of spells or curses. She can cast a protective aura shielding her and who she gives it to from all dangers and magic, but drains much energy. In battle, she can hurl all sorts of energy balls, death beams and elemental blasts of variable size and might.

Personality

In the Novel

Being empty, Xayide is totally emotionless, cold, distant and creepily expressionless. Though she can understand feelings flawlessly and perfectly imitate them. She is poised, dignified and always courteous, even when threatening, but not averse to sarcasm and disguising insults as praises, but to her core she is cruel, uncaring, and heartless in every sense of the word. She is consumed by her hunger for power, ironically as if to fill a void, but she never loses control, even when furious or threatening.

Moreover, Xayide is immensely intelligent, calculating, devious and perceptive. Knowing that she cannot subdue Bastian by force, she feigns surrender to deal with him indirectly. She lead him where she want to and subtly sets the pace of the story until the very end. Much worse, she is a perfect manipulator, who knows full well how to feign concern and even friendship to gain his trust, playing on his doubts, fears and desires for adventures of his own to manipulate him. She proves able to erode Bastian's trust in his friends and to corrupt him, bringing about his ambition and worst traits with words alone.

In the Adaptations

In the movie, she wants to control each and every story ever written, voiding them of all the fantasy they were created from and gives them meaning. She claims to merely want to bring "order" in "the chaos of dreams" and boldly asks how it could be wrong, but there is little mystery that what she really want is to dictate her law and make everything there strictly functional, soulless and almost mechanical.

In the cartoon she is more cartoonishly evil, fitting villains in children-oriented media of the time. While as poised, polite, scheming and clever as in the novel, she is more arrogant and temperamental, often losing patience or getting angry, though she remains in control no matter what happens. She revels in her vileness, delights in gloating, taunting foes and lording over people, but loathes opposition.

In the live-action series, she is hinted to have once loved the Childlike Empress and wanted to rule as a fair ruler, but she is consumed by hatred and bitterness, leaving her an empty shell of who she used to be. She remains poised, courteous, aloof and scheming, but smiles more, albeit as creepily as ever.

Role in the Novel

Xayide appears in the second part of the story, after the hero, the pudgy, misunderstood, insecure, ten-year-old dreamer Bastian Balthazar Bux enters the magical world of Fantasia after naming the Childlike Empress and dispelling the Nothing. He is given the AURYN talisman that can grant his wishes, and is tasked to use it to recreate Fantasia from scratch, as it was obliterated by the Nothing.

With each wish Bastian forgets what things were before and loses one memory of the real world. Having dreamt all his life of being the hero of his story like the green-skinned hero Atreyu, whose quest he read before entering Fantasia, he wishes to become beautiful, brave and skilled. He gains the Light Blade Sikanda and befriends Atreyu and the Luck Dragon Falkor (Fuchur in the original German).

While well-meaning if careless at first, Bastian's wishes have unforeseen consequences. And because deep down he craves recognition, he starts losing himself in his waning memories and his growing selfishness, something Xayide notices. After making up many adventures for himself and others, Bastian confronts the wicked witch in Horok Castle, who fails to subdue him and feigns surrender.

Presenting herself as warm, and worshipping to gain Bastian's trust, Xayide starts playing on his worst traits, until he becomes a power-hungry tyrant. She gives him Ghemmal the Invisibility Belt, knowing he will spy on his friends to drive a gap between them. Under her influence, Bastian invades the Ivory Tower and crowns himself the new Emperor of Fantasia instead of the Childlike Empress. This prompts Atreyu to rise against Bastian and interrupt the coronation ceremony, but is nearly killed in the resulting battle.

Chasing after Atreyu, Bastian falls down a chasm and ends up in the City of Lost Emperors, haunted by the former saviours of Fantasia who lost themselves, mindless and broken. Horrified, he vows to atone, giving up memories of his widowed father for the truly selfless wish to be capable of love, relinquishing AURYN to Atreyu. Having lost her sway over her puppet-king, Xayide is crushed to death by her iron monsters who resist her magic, while Bastian finds the Waters of Life that restore him to normal. The boy can return home and reunite with his father, using the Waters to cure his grieving melancholy.

Film Appearance

In this sequel to the first film, which ends after the victory over the Nothing, Bastian has returned to the real world, likely for a few years. His life has improved, but he is still grieving for his mother and unable to connect with his loving but distant father.

After fear got the better of him in school, Bastian returns to the bookstore where the book leading to Fantasia is kept. He finds that books are voided of words and hears the Childlike Empress calling for his help, prompting him to return to Fantasia, arriving at the wondrous Silver City of Amarganth and being bestowed AURYN.

There, the Childlike Empress tells him that she is kept prisoner by an eldritch force that is spreading over Fantasia and draining its essence, destroying all around the Ivory Tower. A force that he must name. This is all the doing of Xayide, who is keeping tab on both Bastian and the Empress. Her servant Tri-Face has built a magic device called the "Memory Machine that steals one memory for each wish he makes, and she sends her other servant, the bird-man Nimbly to the Silver City, to gain his trust and push him to make wishes.

After Xayide sent her powerful Giants to the Silver City, Bastian reunites with Atreyu and Falkor, who lead him to the Horok Castle. It is protected by powerful energy beams disintegrating everything at contact. Bastian is caught in one, but Atreyu deflects it back at the castle using AURYN to destroy them.

Atreyu makes a diversion and is captured, while Bastian uses AURYN to sneak into Horok, saving his friend from a bottomless pit. They learn that the Giants are empty and Bastian names the threat Emptiness. They confront the wicked witch, who feigns surrender after some token resistance. She states to need to be at the Ivory Tower to free the Empress, so they order her to follow them there.

Xayide corrupts Bastian

Xayide tempts Bastian under Atreyu's wary eye.

Outside of Horok, Falkor refuses to carry Xayide, who offers to travel in her luxurious Xobile coach, followed by a wary Atreyu on his steed Artax.

Playing the motherly figure that Bastian misses, Xayide gifts him an enchanted object called "Ghemmal, the Invisibility Belt in gratitude for sparing her. She pushes him to waste his wishes and to distrust his friends. Bastian refuses to heed Atreyu's proof that the Xobile is running in circles, then overhears Atreyu's and Falkor's concerns, mistaking them for a desire to take AURYN.

Atreyu later witnesses Nimbly watching a stolen memory of Bastian's mother's death. He tries to warn Bastian who refuses to listen and fights him, causing him to die in a fall, carried away by Falkor. Horrified, Bastian rushes back, sees the machine and flees on Artax’s back, while his father who has found the book and is reading his trials.

Knowing that he has only two wishes left, Xayide casts a spell to throw him down a river. Guided by Nimbly who had a change of heart, he returns to the Silver City, deserted and in ruins, and trades his mother's memory to resurrect Atreyu.

Xayide's Giants

Bastian confronts Xayide, her Giants and his fears.

Knowing that Bastian misses his father, Xayide appears and tell him to wish back home. Bastian feigns to comply, but no longer afraid, he uses his last wish for her to have a heart. No longer empty, Xayide sheds a tear of possible remorse and dies.

The freed Childlike Empress appears in the Silver City, with Fantasia and Bastian's memories restored. Having saved Fantasia twice, Bastian bids farewell to his friends and reunites with his father at last.

Cartoon Appearance

Xayide appears in the The Neverending Story: The Animated Adventures of Bastian Balthazar Bux. She attempts many plots to take over Fantasia and get rid of the "thorn in her side" represented by Bastian, usually by manipulating inhabitants of Fantasia or unleashing ancient magic powers, but she can also craft artifacts and cast dangerous curses as well as command her army of Giants.

Live-Action Appearance

In the miniseries Tales from the Neverending Story, Xayide rules the Dark City and tries to take over Fantasia endlessly.

Gallery

Trivia

  • Despite her name is pronounced as Zai-Yē-Dā on Google Translate, Xayide's name is actually heard as "Zai-Yē-Da" in both the live action films and the animated series.
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